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The Inquisitive Artist: Isabel Langtry

A conversation on sculpture, leadership, and widening access

In this episode of The Inquisitive Artist, I’m joined by Isabel Langtry – monumental sculptor and Principal of Hampstead School of Art. We talk about what it really means to make work at public scale – not just technically, but emotionally and socially too. Isabel shares how her early experiences of moving between cultures and not quite “fitting the mould” helped shape her sensitivity towards people, and how that empathy now runs through everything she does.

We explore the practical realities behind monumental work – how commissions often begin with proposals and models, how funding can take time to piece together, and why public sculpture is rarely as straightforward as it looks from the outside. Isabel describes the relationship-shift that happens when you work at architectonic sizes (including a major work for Beijing Olympic Park), and the sheer physicality involved – fabrication, transport, teams, and decision-making at scale.

We also talk materials and process – bronze, steel, surface, patina, and how time and weather change a sculpture’s presence – alongside the artists who’ve influenced her. And throughout, a clear thread emerges: Isabel’s belief that art is for everybody, and that access to excellent training shouldn’t be limited to those who already have a way in. That ethos sits at the heart of her outreach and inreach work, and it’s also why she launched the London Sculpture Prize – to create more opportunities for sculptors internationally.


Links mentioned in this episode


Courtesy images (used with permission)

Unless otherwise stated, the following images are reproduced courtesy of Hampstead School of Art (HSoA) / the artist / the photographer.

Courtesy of Hampstead School of Art (HSoA)
  • Isabel Langtry with Pop

  • Hampstead School of Art (building / interior images)

  • Isabel Langtry unveiling Gravity (Riyadh)

  • Performance (Andes River, Chile)

  • Isabel Langtry performance (Spain)

  • Isabel Langtry with Morphini (Fuerteventura)

  • Alan Gouk (portrait)

  • Alan Gouk (painting)

  • Isabel with Fae

  • Isabel studio in Hampstead church

  • Bliss (Beijing)

  • Serin (Riyadh)

  • Fae (London)

  • Petals (Kidderpore Gardens)

  • Francisco Gazitúa (portrait – if used)

  • Prado Park, Chile

  • Tres / Brook Green, London

  • Isabel in the studio

  • Isabel drilling Gravity in Riyadh

  • Isabel with sculpture Gravity,Riyadh

  • Isabel with Petals

  • Maquette for Bliss

  • Pop (Berkeley Square) – multiple stages / angles

  • Petals – Majorca / in progress

  • Pop in two pieces

  • Drilling Gravity in Riyadh

  • Pop in progress (Hampstead studio)

Courtesy of Isabel Langtry
  • Isabel’s parents in Lagos

  • Isabel performance art image(s) (Spain)

  • Isabel as an undergraduate (portrait)

Courtesy of Inno Drinks
  • Inno Drinks images (product / branding)

  • Isabel with Yulia (Inno Drinks)

Permission of the artist
  • Marco Paniz – Madame Gènée (London Sculpture Prize related visuals)

Lindsey Tyson / personal photographs
  • Hampstead School of Art (photographs) – © Lindsey Tyson

  • Colours of the Sea (prize-winning exhibition at HSoA) – © Lindsey Tyson

  • Isabel and Lindsey selfie – © Lindsey Tyson

Sumi Perera
  • Lindsey Tyson in front of Wednesday (Women in Art Prize) – photo © Sumi Perera

  • Lindsey Tyson with Sumi Perera and HSoA Trustee Wendy McKinnon – photo © Sumi Perera

Barbara Hepworth (editorial / contextual reference)

Barbara Hepworth images used briefly for editorial/contextual reference:

  • Barbara Hepworth, Mother and Child (1934). Image © Bowness / Hepworth Estate – photo: Tate.

  • Barbara Hepworth working on Oval Form (Trezion), St Ives (1963). Photograph: Val Wilmer – © Bowness / Hepworth Estate.

Henry Moore (copyrighted)

Public domain / Open Access museum images

The Metropolitan Museum of Art (Open Access / Public Domain)

Wikimedia Commons / Geograph (Creative Commons)

Lagos / Nigeria (1970s)
  • “A road in southern Nigeria from Lagos to the north – palms seen through the windshield (1970–73).” Photo: Aart Rietveld – via African Studies Centre Leiden / Wikimedia Commons.

Hanging fruit
Benin Bronzes
Hull docks
Ferens Art Gallery
Hull School of Art & Design
Stonehenge
Venus of Willendorf
Ernst Barlach
  • Ernst Barlach, Spaziergänger (wood sculpture) – public domain image via Wikimedia Commons.

Isamu Noguchi
  • Isamu Noguchi (photo by Jun Miki, c. 1950–51) – Public Domain, via Wikimedia Commons.

Anthony Caro
Katherine Gili
Central YMCA London
Altab Ali Park, Whitechapel
Hammersmith Art College
Whitechapel Gallery (Geograph)
St Martin’s School of Art (building images)
  • St Martin’s School of Art building (historic), London – via Wikimedia Commons.

  • St Martin’s School of Art building (historic), London – photograph by A. Powers, via Wikimedia Commons.
    (Note: During the period discussed in the podcast, the institution was known as St Martin’s School of Art, later part of Central Saint Martins.)

Pre-Columbian terracotta (museum Open Access)

All images used briefly for editorial/educational illustration. Copyright remains with the respective rights holders.

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